
OPTIONS:
WAKING UP
You wake up in a studio in an apartment building that's got windows all boarded up. You remember being sick, you remember dying, and you probably can't believe this is the afterlife. If you head out into the hall you'll see that others are heading out too, looking just as confused as you are. All of you died, most of you of the same thing. If you head down to the front office, you'll meet a native resident who will explain in brief that you're in Aqora, a settlement living among the undead and that people like you show up every so often. You'll be given an informational pamphlet, a shitty cell phone, and a walkie. Then you'll be expected to figure it out. No one has time to hold your hand.
EXPLORING
Miscellaneous things here: shops and restaurants turned into places to live, apartments full of people living day to day, the main focus (the library) being the hub where people come to learn and children go to school. Because school never ends, even in the apocalypse. Feel free to buddy up with other newcomers to figure out what the hell is going on.
OR, say you've been here a while. It's time to figure out how to get more supplies! Let's go on a supply run. You'll just be heading out past the barricades to start, and you'll have to dig through buildings to try and find things. If you're lucky, maybe you'll hit a cache. If you're unlucky, you'll find too many undead to fight. No one goes out alone though, so hopefully your partner can help.
"NETWORK"
Someone has set up a rudimentary network using the nearest cell towers. You can communicate with others in the area but only via voice and text. Anything further out is voice only via walkies. You can have a username or leave it blank.
Have fun, campers. |
paul (jesus) rovia. the walking dead.
[ death isn't what paul had expected. he'd known it was coming as soon as the crushing shredding rip of teeth had snagged his arm too high up to chop off soon enough to save him. he'd let out a rough and ragged laugh and jammed the ratchet he'd been using through the softening skull of the walker that'd done it. everything hurt like hell already but if he could just get the damn bike fixed before he died at least he could save daryl.
except saving daryl fell to the wayside when he realized he wasn't the only one bit. oh. so taking out the last ones left had become priority so that no one looking for them would come upon a horde of zombies (it'd be fine if it were someone from sanctuary, but if someone from alexandria or hilltop came around, well... no, they couldn't let that happen. finally it'd just been them, panting and feverish and pained and nauseated, burning up with fever and thirst and feeling like death and knowing the end was coming and paul had dropped down to the asphalt, tugging daryl down with him. or maybe it'd been the other way around. it didn't matter.
we have to figure out how to put each other down, he'd said, ragged. they both knew it was coming and it wasn't time to moan and cry, it was time to protect their loved ones--unless we want to get back as close to sanctuary as we can before we kick the bucket.
but that wasn't desirable either. no matter how it'd ended (it doesn't matter any more) waking up in an apartment building is not what he'd expected. instead of doing what he's supposed to he starts to tear down the halls, looking. he can't be the only one of them, right? what the hell is this? he needs to find-- ] Daryl? Daryl?
[ it's almost like he's hyperfocused. feel free to stop him and get him to focus on something else, steer him downstairs - or, you know, be daryl and give him something at least marginally familiar. ]
exploring
[ paul is, to put it lightly, made to go on runs. he's good in rural areas but he's even better in cities, and if you're paired up with him for a run you'll find out why. he's a runner and a climber, dragging himself easily up ladders and walls and climbing through windows to hand things out and literally existing as that movie trope of a guy that can hop from roof to roof. he's friendly too, calm and collected and smiling gently. even if he calls the zombies anything but and just looks kind of confused by the z word, he appears to be really used to the concept as a whole.
in any case if you want a fun, fast-paced run that's almost sure to get results or be hilariously yakety sax trying, paul is a great partner to have. ]
network
how the hell did anyone manage to get something like this up? all our satellites and towers are completely down even with solar panels. we're lucky to have batteries for walkies any more.
waking up
Wouldn't be the first time.
Still, he paused in his exploration to watch the vision as the man came toward him. Looking like he was almost searching his eyes for recognition. That, at least, was new. Merle had never acted confused and worried. He'd always been confident that Daryl could see and hear him just fine. Because he could.
After as second, his brows creased in confusion and he reached out to poke at the approaching man. Just tap his shoulder with a finger. Test how real he was.]
Jesus?
casually switches to prose nbd
But that doesn't matter. There he is. Daryl is here, and looks whole, and not dying, and... what does that mean? Paul doesn't know what that means. But it means they're together, and it's better than nothing.
Daryl touches his shoulder and it's barely, just barely, but it's enough that Paul exhales in a relieved rush of breath and reaches out to clutch at his elbow like he's making sure he's still there. Real. Definitely nothing like the hallucinations of Merle.
"Daryl."
Daryl won't ever have seen Paul like this - it's clear he's trying to retain some semblance of calm but he's tattered around the edges, eyes flicking over Daryl's face like he still doesn't quite believe it. "I thought I was here alone."
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His hand flattened out on the other man's shoulder then curled in to a firm grip before pulling him into a tentative hug. Just the one hand on his shoulder and his head dropping down to the other as he breathed in a few deep breaths that had his body shuddering. He didn't know what was going on. He'd killed Jesus and now he was here, whole and breathing in front of him.
He pulled back once he got his mental bearings enough to deal with the new situation on even the smallest level. Nodded and let his hand drop but didn't try to break contact with where Jesus was holding him in return.
"Thought I was... thought I died," he said, keeping his head turned away like he was looking for something to tell him otherwise. But mostly it was so he didn't have to look Jesus in the face when he continued with, "Thought you died, too."
He was afraid his eyes would give away that he was the one to do the deed.
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It's important to note that due to the circumstances, Paul can't even enjoy the gun show, and this is the most tragic thing of all.
"Thought we were both dead," he agrees, quiet, looking at his profile because he doesn't want to look away. It hasn't clicked yet that Daryl took him out before he could protest, luckily for Daryl.
"This can't be the afterlife," he says finally, "it looks too much like home." He'd recognized the way the windows were fortified instantly.
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He took a deep breath, then reached down and tugged the edge of his pant leg up to show his ankle and the bite scar, "That cain't have healed naturally. I lost half the muscle there. Shouldn't be walking."
Daryl let the jeans drop back down, hiding the sight. Took another deep breath, rubbed at his nose and waved a hand around, "Let's see if we can find a room with some clothes in 'em. Want out of this shit. Gonna burn it."
Because fuck Dwight, that's why.
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Instead the wounds are just... healed? With the flesh and sinew and everything all put back together.
"We'll both need clothes," he replies at length, a little like he's normalizing it. He's not pandering - he's not going to do anything obvious like burn his own clothes too - but he does need a new shirt and coat. His vest is fine.
Let's go then, he says with his eyes, then licks his lips (they're never going to see anyone they care about again, and if they do does that mean they died?) and lets Daryl go so they can start to search the tiny apartments more thoroughly.
They're almost all studios, which makes it quicker work at least.
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So instead, in the last apartment they checked, he moved to the window and looked outside. What he saw surprised him some. Not because of the people moving about but because of the skyline. It looked like they were in a major city.
He waved at Jesus to come over, the knife he'd 'borrowed' still in his hand. Still ready to be used if they encountered any of the dead. He'd just forgotten to give it back already. Mostly cause a knife in his hand was normal for him. More so than a gun. Less so than his bow.
"Hey, you been around D.C. right? This look like D.C. to you? Can't see the Washington Monument. Might be behind us if it is."
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"I'm from D.C.," he admits, "and this isn't D.C. I don't recognize it at all."
Growing up in the home like he had, it isn't like he'd had many opportunities to travel - money is always an issue when you're a ward of the state and even after they kick you to the curb because you're still poor. So Paul knows D.C. and the surrounding areas and that's about it. He sighs, moving over to the couch of the room they're in and leaning against the side of it with his arms crossed over his chest.
"None of this is adding up. We're not in the right place, we're healed up, we're alone, we weren't restrained, so what are we supposed to take from that?"
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"They don't think we're a threat or they don't know we're here. One or the other. This place is cleared out, but it ain't dusty so they still get use outta it. Can't really see any way they didn't bring us here, so best guess is the first. We ain't a threat to 'em as far as they're concerned."
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"It's so empty. We should probably head the rest of the way down and get out of here, get the lay of the land, figure out where to go from here. There has to be somewhere we can scrounge up some supplies."
There aren't many floors, so they can just head on down and out unless there's something or someone to stop them.
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He moved past the other man, heading for the door to lead the way. Taking point like he was used to doing. The other floors were empty right up until they got to the bottom and found a person sitting at a desk, looking bored out of their minds while they went over some paperwork.
They looked up upon noticing the movement out of the corner of their eye, sighed, and sat back, "Good. You're awake. Take a phone, a walkie, and a pamphlet. Then get out of here."
Daryl stayed where he was, looking confused by the reaction and the words.
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Everything is quiet until they see someone and Paul stops dead briefly and then--
--riiiight. Okay. "What?"
A beat before the person at the desk replies. "Welcome to Aqora. You each get a phone, a walkie, and a pamphlet. If you have any other questions leave here, hang a right, and stop in at the dentist's two blocks down. The doc will answer you."
Paul just looks kind of nonplussed before moving to take one of each item slowly and hold them out toward Daryl, one hand still clutching the knife. Once he finishes that, he gets his own. Might as well if they're offering.
But still, "this is ridiculous."
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He squinted at the person before lifting his chin stubbornly, "Why can't you answer questions? Ain't no one else here?"
"I have things to do," they said, obviously annoyed, and gestured at the paperwork in front of them. It looked like a list or schedule of some sort. Then they went back to it, practically ignoring the two.
Daryl stared at them for a second longer before moving closer to Jesus and actually opening the pamphlet to start reading,"'If yer reading this, you have probably died. Most of the people who show up in that building claim to have so we're assuming you have, too. We don't know how, we don't know where. We don't care. You're here and if you're going to be here, you might as well help keep the rest of us alive because you can still die all over again if you get bit.'"
He locked eyes with Jesus briefly, "The fuck kind of bullshit is this?"
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Once the talk is apparently over, Paul leans in to read along with Daryl, but it really doesn't make anything clearer. He lifts his gaze at just the right time - they're oddly in sync, he thinks, before shoving it away - and then cards his gaze away, frowning and crossing his arms over his chest (carefully, owing to the GIANT KNIFE).
"You ever see the movie Beetlejuice? This reminds me of that, except at least they got a book."
If you get bit sticks with him. "You mean we die, which I know by now, and go from one place with the dead to another?"
A pause as something in particular catches his eye in the writing - "who the hell calls them zombies and what does it even mean?"
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network
since we weren't aiming for anything large scale, all we needed was a power source, cell towers and someone who knew how to make it all work.
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[ present tense. like he can just up and go home. ]
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once i have more time, i'm going to improve the system, but, for now, what we have will work for the long run
exploring;
Maybe.
Steve's in great shape and knows how to take a fall from a story up, but he's never had to jump from roof to roof before and these are significantly higher than he's used to. A parkour expert, he is not. Still, he's got pluck, and if his running partner wants to take to the roofs... well... he'll do it! The spaces between buildings aren't too far to leap for the most part and he keeps up pretty well, smiling triumphantly as they make an especially wide gap. ]
Hah! [ And then, catching himself making noise, he claps a hand over his mouth. ] Whoops. Hah.
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someone's set up a rickety walkway between two buildings - from a three story down to a single - with a couple of planks. there are a couple of walkers below them and paul frowns before looking back at steve and nodding. ] One at a time. I'll take it first and test my weight on it. Sound good?
[ he lingers at the edge of the roof, waiting for an answer. his voice is low - the other man's outburst thankfully hadn't called their attention. ] Then we can drop down and get into the building to check it.
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Go ahead, I'll wait.
[ He creeps up to the edge of the roof so he can keep an eye on the zombies and Paul at once, not looking forward to his turn trying to balance his way across. ]
You do this sort of thing a lot?
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My jobs back home are recruitment and supply runs. This sort of thing comes up a lot in any area with more than a few buildings. It's easier to stay above the dead than try to get around or through them.
[ there. right to the other side, no harm done. ]
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[ When Paul gets across safely Steve lets out a breath of relief... only to suck it right back in as he realizes that means it's his turn. Fuck. He climbs up to the roof's edge, holding his arms out to his sides and trying to keep an eye on the boards without looking down. ]
Okay....
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[ paul watches, hawk-like, as steve moves. he's close enough to the edge that if steve falls he might be able to catch him. ] Put your weight forward if anything slips. It'll tip you toward me and I'll grab you.
[ he's still watching, eyes flicking from steve to boards to ground. ] You're doing great, though.
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[ He still doesn't want to fall into an alley full of them, though -- he's being careful, putting his weight forward like Paul suggests and speeding up a bit when he feels himself sway.
The boards hold, and he makes it across, reaching towards Paul to steady himself as he scurries onto the other roof. ]
Whew. Thanks, man. You think we'll have to come back this way?